Masaomi Yasunaga pursues “fundamental beauty.” A student of Satoru Hoshino, Yasunaga continues the experimental ethos of Sodeisha, or “crawling through the mud association,” a postwar Japanese art movement (1948–98) that explored the sculptural possibilities of ceramics.
Margherita Raso
NEW YORK Italian Cultural Institute in New York Interdisciplinary artist Margherita Raso has literally changed the atmosphere for “Vizio di Forma,” an exhibition-cum-installation that marks her U.S. institutional debut. Inside a small room occupied by three new bodies of sculptural work, the temperature has been lowered to a consistently cool degree.
About Potential: A Conversation with Asim Waqif
Recipient of the 2021 Innovator Award Asim Waqif embraces multiple mediums and materials. Ranging from invented archaeological sites to multisensory and interactive, architecturally scaled environments created from reclaimed timber, demolition salvage, or bamboo, his work cannot be confined by formal parameters or defined by subject matter.
Robert Indiana
WEST BRETTON, WAKEFIELD, U.K. Yorkshire Sculpture Park For Indiana, numbers were autobiographical, and he related key moments in his life to specific digits, painted in symbolically resonant colors.
Marc D’Estout
SAN FRANCISCO Jack Fischer Gallery D’Estout is an incredibly patient, old-school kind of sculptor, employing a slew of mad skills to fabricate, manipulate, and orchestrate his materials into shapes that imply rather than declare their points of reference.
Roxanne Jackson
NEW YORK The Hole By asking how we can reclaim monstrosity, Jackson’s work becomes an explosive combination of Grand Guignol, Jungian philosophy, and the poetry of Carmen Giménez Smith, extracting and exploiting the tissues that bind the sexual and the grotesque.
Yinka Shonibare
GRAND RAPIDS, MICHIGAN Frederik Meijer Gardens and Sculpture Park Shonibare’s works are freighted with fierce contradictions, much like the 18th- and 19th-century European eras from which he derives his inspiration.
Gregor Schneider: A Sense of Distance
By the time Gregor Schneider was a teenager, he had already begun speculating about alienation and the place of death in life, as well as the deep-seated relationships between people and the spaces they inhabit.
Jonathan Latiano
BOSTON Boston Sculptors Gallery Love to the Letter and the Letters Spelled Death is incisive and poetic. Clearly, Latiano’s passion and ruminations on “deep time,” from prehistory into the future, are driving elements.
Explorando los Límites de lo Habitual: Una Conversación con Alejandra Tavolini
Licenciada en Bellas Artes por la Universidad Nacional de Rosario, la artista plástica Alejandra Tavolini desarrolla una obra que, según sus palabras “explora el límite de lo habitual, valiéndome de diversos soportes.”
