A life is not a timeline. The supposed linear movement, building one moment adjacent to another, is a false construct. Adding another dimension gives a planar view of bright moments, scattered like diamonds on a field of velvet.
Henry Jackson-Spieker
SEATTLE MadArt Jackson-Spieker creates visual blind spots and distortions that he hopes act as a metaphor for the things we don’t see or question in our everyday surroundings.
Prohibido Olvidar: Una Conversación con Leo Nuñez
“Exhibo en mis trabajos los contextos económicos y políticos que atraviesan los países de mi región. Desde el espacio llamado de ‘subdesarrollo,’ trabajo la obra tecnológica a partir de los conceptos de las últimas tecnologías pero utilizando materiales territorializados.”
Contemporary Archetypes
William Turnbull: International Modern Artist, a lavishly illustrated monograph conceived by the Turnbull Studio, marks the centenary of the renowned Scottish sculptor, who was born in 1922.
Roger Ackling
LONDON Annely Juda Fine Art On the occasion of a previous exhibition at Annely Juda, in 1998, Ackling explained that the works don’t stand for anything. Rather, he said they stood beside him.
BGL: When Art Feels Free
For 25 years, the Québec City-based collective BGL (Jasmin Bilodeau, Sébastien Giguère, and Nicolas Laverdière) was a dynamic force in the Canadian art scene, exhibiting widely in the artists’ home province, as well as across the country and in Europe.
“Hurly-burly”: Phyllida Barlow, Rachel Whiteread, Alison Wilding
PARIS Gagosian Karsten Schubert, Wilding’s late gallerist, affectionately dubbed the trio of English artists “the three witches,” and this exhibition fittingly recalls the tumultuous “hurly-burly” they navigated during what was, back in the day, a particularly capricious and fickle male-dominated art world.
Healing Instruments: A Conversation with Guadalupe Maravilla
New York-based Guadalupe Maravilla left his homeland as a young boy during the height of El Salvador’s civil war. That traumatic past and a more recent bout with cancer have directed the course of his life and work.
Spencer Finch: Seeing and Knowing
Spencer Finch is interested in shifting light, both as a subject and as an artistic method. He is fascinated with changes in light at different times of the day and year, from one location to another, and with how light shifts as it is refracted through atmosphere, clouds, and windows, or reflected in different surfaces.
Markus Copper
HELSINKI Museum of Contemporary Art Kiasma Informed by personal experience, an interest in performance art, and tragic events, these visually compelling works can physically affect the body and veer into thematic territory that some viewers and critics have found shocking.
