Lynda Benglis

LONDON Thomas Dane Beyond the straightforward binaries of masculine and feminine though, there is something Cyborgian, in a Donna Haraway sort of fashion, about Benglis’s tentacle-like mirrored floor sculptures, which one can imagine having been spawned from the severing of some monstrous creature, their puckered ends curling upward like truncated limbs.

Read More

Arthur Simms

LOS ANGELES Karma Improvisatory and yet obsessive, Arthur Simms’s sculptures manifest the intensity of his process. His work is provocative, compelling, hard to look at—and at least part of its power comes from his drive to make such fierce, volatile, and demanding objects.

Read More

Mike Nelson

LONDON Hayward Gallery An extraordinary feat of planning and labor, the exhibition, which covers 25 years, encompasses around 20 interconnected rooms and corridors, involving 40 tons of sand, 5,000 feet of reclaimed timber, and the skills of more than 30 builders and technicians.

Read More

Shari Mendelson

HUDSON, NEW YORK Pamela Salisbury Gallery Ancient, quasi-mystical artifacts—those once lively objects from the distant past that have survived—come to us as unknowable, fundamentally opaque, and foreign, displayed in the highly charged confines of museums.

Read More

Will Cruickshank 

EXETER, ENGLAND Exeter Phoenix For Cruickshank, the particular qualities of spun yarn—its durability, tenacity, flexibility, softness, resilience, and color-bearing—become the prime concern, manipulated by the idiosyncrasies of makeshift technology.

Read More