Justin Randolph Thompson’s large-scale sculptures and installations are rooted in cultural history. Using an idiosyncratic vocabulary, his work unfolds complex stories by means of carefully crafted organic and geometric metaphors. Juxtapositions of old materials and new techniques create a synthesis of multi-faceted meanings inspired by pain and destruction in times past, cultural rituals, and sacred
Fritz Haeg’s Alternative Possibilities
Fritz Haeg doesn’t like to make objects. He is a mover and shaker who parachutes into a locale and shows people what’s possible: “Working with local people, I’m a catalyst for something to happen.” He admits that his role isn’t clear.
Bruce Hasson
San Francisco Berkeley-based Bruce Hasson has spent extended…see the full review in May’s magazine.
Berlinde De Bruyckere
New York In our cynical age, addicted to the new…see the full review in May’s magazine.
Lily Hanson
Dallas Lily Hanson’s sculptures and collages cast the…see the full review in May’s magazine.
Sculpture Key West 2008
Key West In contrast to Art Basel Miami Beach, which…see the full review in May’s magazine.
Kaija Kiuru
Helsinki One of the astonishing features of Kaija Kiuru’s…see the full review in May’s magazine.
Jaehyo Lee: The Possibilities of Nature
For a Western audience, Jaehyo Lee is easy to place; he makes good sense among sculptors who work closely with natural materials, such as David Nash and Andy Goldsworthy. At the same time, Lee’s extraordinary gift with sanded wood, as well as his penchant for charred wood covered with bent nails, seems oriented toward a
Martin Kersels
Santa Monica Performance artist and sculptor Martin Kersels explores…see the full review in May’s magazine.
The Romance of Objects: A Conversation with Carol Bove
Carol Bove’s first installations, beginning around 2003, were hailed as resonant exhumations of the culture of the 1960s, filled with objects evocative of that era—books that helped define the zeitgeist, fragile drawings of pop icons like Twiggy and Mia Farrow, and artifacts that showed a preference for cottage-industry crafts over mass-produced goods.
