LONDON Michael Werner Gallery Unlike Lee, who grew up in a unified Korea under Japanese rule and whose work demonstrates a complicated, ambivalent attitude toward what had been an oppressive culture, Byars welcomed it, immersing himself in traditional Japanese arts and the aesthetic traditions of Shinto and Zen.
Lateral Thinking: A Conversation with Shiho Kagabu
Japanese artist Shiho Kagabu employs industrial and organic materials, often installing her work in rough, run-down environments. In many ways, she shares the contemporary predisposition for the fragment rather than the whole, but her positioning of these parts in space is unique.
Louise Nevelson
NEW YORK Galerie Gmurzynska Presenting myriad mixed-media collage works executed throughout the late 1960s, 1970s, and early 1980s, the exhibition demonstrates that collage was not only a passing fancy for Nevelson, but the mooring to her entire enterprise.
Peter DeCamp Haines, Eric Sealine, Jocelyn Shu
BOSTON Boston Sculptors Gallery Boston Sculptors Gallery, the only sculpture collaborative in the country, is currently hosting three solo exhibitions to cap its fall season.
La experimentación curiosa: Una Conversación con Jimena Croceri
Artista multidisciplinaria, Jimena Croceri trabaja en el campo de la performance, el video, la producción de objetos, el dibujo y la escritura. Con la mirada puesta en los cuerpos, observa la interacción entre materialidades diversas y sus afectos en dichos cuerpos.
Bruce Beasley: Process of Becoming
Just about everything Bruce Beasley has sculpted over the last 60 years circles around one fundamental question: How can an unmoving object—made of enduring materials such as cast iron, aluminum, bronze, stainless steel, granite, acrylic polymer resin, and maple—seem to be in the shape it takes only momentarily, either having recently come to rest in
Millicent Young
STONE RIDGE, NEW YORK merge Entering Millicent Young’s site-specific retrospective “Alter Altar: 20 Years,” on view in merge’s two newly refurbished barns, is like entering a concise representation of human history.
Life Stories: A Conversation with Carla Gimbatti
Carla Gimbatti, who divides her time between Buenos Aires and New York, begins her work with obser- vation. Interested in origins, she wants to know what lies behind the patterns and textures of the world—the marks of time and experience written into everything from immense sedimentary land formations to the tiniest details of human handprints.
Elisa D’Arrigo
NEW YORK Elizabeth Harris Gallery Delightfully bodied and splendidly decked out in glazes of many colors, the 20 new ceramic works in Elisa D’Arrigo’s current exhibition make their presence emphatically felt despite the modesty of their measurements.
