Simone Leigh

BOSTON Institute of Contemporary Art Simone Leigh’s first-ever museum retrospective demonstrates her abiding use of clay (and nascent use of bronze) as a material and conceptual means to amplify Black female experiences and the spaces created by Black feminists.

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Lucas Simões 

CHICAGO Patron Gallery Though his works are deeply informed by São Paulo’s Modernist and Brutalist histories, his works are unburdened by too much rationality. Perfectly molded, dyed concrete forms take on the colors of a sunset—bright, crisp blue; nostalgic, dusty pink; pale, rusty orange.

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Martino Gamper

NEW YORK Anton Kern Gallery In presenting a checkered medley of objects collated under the umbrella category “hooks,” Gamper seeks to show the full breadth of family resemblance—a neo-Wittgensteinian lesson in how one overlapping common feature, form, tethers these diverse objects together.

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