BROOKLYN, NEW YORK Pioneer Works Sustainability received an ironic spin in “The Present is the Form of All Life,” an exploration of time capsule works created by Ant Farm and LST. Shown at Pioneer Works, a nonprofit space dedicated to fostering crossdisciplinary practice, community, and collaboration, the exhibition took a nostalgic look at Ant Farm’s 1970s projects, even as it argued for the group’s continuing relevance as LST.
The Shape of Sound: A Conversation with Julianne Swartz
There is a certain truth that plain sight offers us as visual thinkers and explorers of life. Sound, however, is often overlooked, though it is a major contributor to how we understand our surroundings. When sound and vision mix, our senses are ignited, and an emotional response occurs.
Jarrett Mellenbruch: Use-Value Aesthetics
What do bees want? The fact that Jarrett Mellenbruch has spent seven years trying to find the answer tells you a lot about him. Haven, his most extensive project to date, features a series of pole-mounted, Corian, wood, and steel beehives designed to provide a safe environment for wild honeybees imperiled by colony collapse disorder
Jaewook Lee: Space As Window
Jaewook Lee’s work deals with the perceptions and theories that define our sense of place, humanity, and nature. Consisting of video, installation, and performance, his practice assumes that all relationships in space are sculptural, hence form, weight, volume, scale, and negative space create material extensions and possibilities of physical and sensorial space.
Arnaldo Morales: What Humans Do
Arnaldo Morales’s studio is a machinists dream come true. Points of pride are a 1977 variable speed Bridgeport milling machine, a 1966 Logan lathe, and not just a Clausing table saw, but also a Delta Rockwell horizontal band saw.
Uncertain States: A Conversation with Bharti Kher
If science is determined by a body of facts, then art is closer to fiction, moving between states of certainty and uncertainty in order to create visual parables of our lives as they are now, and are likely to be in the future.
Real Consequences: A Conversation with Tania Bruguera
In October 2016, at the Creative Time Summit in Washington, DC, Tania Bruguera, whose projects merge social reality, culture, and politics, announced her candidacy for president of Cuba in the 2018 election. She encourages others to follow her example—to speak up and empower themselves—because the clock is ticking on free speech around the world, as
“From Space to Field”
HOUSTON The Silos at Sawyer Yards The Silos at Sawyer Yards are slightly eerie. More than 30 vertical cylinders reach 80 feet into the yawning blackness of the warehouse’s ceiling. Scarred floors and walls speak to former industry, but the building manages to combine inhuman vastness with the more intimate scale of the individual silos. The honeycomb arrangement of the soaring tubes leaves the casual viewer slightly disoriented. In other words, the “white cube” model of an art space could not be further from Houston’s newest arts venue.
Ruth Beer
ABBOTSFORD, BRITISH COLUMBIA, CANADA The Reach Gallery Museum Abbotsford Ruth Beer’s recent exhibition, “States of Matter,” presented a suite of works that are beautiful in their materiality while portraying a sobering subject matter. The show arose from research that Beer had been conducting on the proposed Northern Gateway Pipeline, which would carry raw bitumen from the tar sands in Northern Alberta across Northwestern British Columbia to the coast.
Fred Sandback
NEW YORK David Zwirner The Minimalist work of Fred Sand – back does not cease to amaze, with its elegant simplicity and radical transformation of line into sculpture. Especially when presented in complex installations such as this one, the poetic depth and large range of this unique oeuvre begins to shine. “Vertical Constructions” re-created and expanded on Sandback’s landmark 1987 exhibition at the West – fälischer Kunstverein in Münster, Germany, which featured six thennew works, each one engaging the vertical space.
