Alice Aycock was awarded the Lifetime Achievement Award from the International Sculpture Center in 2018. For a full list of Lifetime Achievement Award recipients, click here. Alice Aycock’s recent works bristle with an iconic energy. Curving tendrils of aluminum in dynamic repetition, like Futurist force lines freed from the canvas, erupt from the earth with propulsive power.
Jessi Reaves
PHILADELPHIA Institute of Contemporary Art, University of Pennsylvania In Jessi Reaves’s recent exhibition, her sculptural furniture was integrated both formally and functionally with a group of surreal still-life paintings by fellow New Yorker Ginny Casey. Curator Charlotte Ickes described these complementary bodies of work as “two solo exhibitions.” The juxtaposition with Casey’s intensely colored paintings of unfinished objects and hovering body parts set in cavernous ateliers placed Reaves’s work within a context of conversations about the artist’s studio and the erotics of the psychoanalytic part-object.
Epiphanies of the Moment: Lisa Seebach
Lisa Seebach, a German artist whose home studio is about an hour away from Berlin, spent the better part of 2017 as a resident at the International Studio & Curatorial Program (ISCP), a nonprofit space in East Williamsburg in Brooklyn.
Temporary Completion: A Conversation with Lizi Sánchez
As much about persuasion as indulgence, objects of desire depend on packaging and material matter for their allure. For London-based, Peruvian-born Lizi Sánchez, the careful design decisions made by conglomerates lead us to experience the world differently.
Time Sensitive: A Conversation with Silvia Rivas
Silvia Rivas graduated from the National School of Fine Arts as a sculptor, but she is interested in the capacity of video to capture visual ideas connected with the concept of time. Her first video installation was shown at the Museum of Fine Arts in Buenos Aires in 1990; since then, she has been awarded
Evidence of Action In Progress: A Conversation with Isabel Nuño de Buen
Isabel Nuño de Buen’s installations explore architecture, urban planning, experience, and memories, with an emphasis on re-creating and tabling organizational systems. Blending drawing and sculpture, she builds her constructions through a complex layering process in which each level operates according to its own internal logic.
Chung Seoyoung: Unexpected Moments of Sculpture
What to make of large scrap-like pieces of metal strategically placed on the floor? Or a tabletop with a chunk cut out of the corner? These questions come to mind as one searches for appropriate tools to assess Chung Seoyoung’s sculpture and multi – media work.
Double-Takes: A Conversation with Alisa Baremboym
Alisa Baremboym’s eclectic and hermetic work is receiving a great deal of attention, judging by the number of exhibitions in which her objects have been featured and by the critical literature they have generated. Her sculpture juxtaposes materials and processes, opacity and transparency, lightness and weight, abstraction and figuration, the past and the future, the
Laura Amussen
GETTYSBURG, PENNSYLVANIA Schmucker Art Gallery, Gettysburg College In Laura Amussen’s recent exhibition, nature provided relief from the pressures of an increasingly stressful world. The works in this intimate, meditative installation were formed from twigs, leaves, reeds, moss, and seeds. The walls were painted a dark red-brown color, the earthiness reinforced by low lighting focused only on the objects.
Diana Al-Hadid
OAKLAND, CALIFORNIA Mills College Art Museum and San Jose Museum of Art Simultaneously delicate and monumental, familiar and inexplicably strange, Diana Al-Hadid’s work draws on an astounding range of cultural references, only some of which are visible to the naked eye. Fragments of images from paintings, often of biblical subjects, as well as allusions to literature, history, architecture, and science, all invest her sculpture with a backstory.
