“ Imminence,” a joint exhibition of work by Ana England and Steven Finke, dealt with those certainties we spend much of our lives hoping are not imminent. The resulting work contemplated the beauty inherent in the cycle of life and death.
Something mysterious, cosmic, and deep radiates from Emil Lukas’s thread compositions. At times, these works (as large as 78 by 96 inches) appear to be flat. From a distance, they have auras—as though we are witnessing space in slow motion and seeing into and through vast distances.
Lorrie Fredette, a leading installation artist and sculptor working in the Hudson Valley, is down with disease—or, at least, its representation. Her recent site-specific installation Implementation of Adaptation consists of a structured, mosquito egg-like raft of wax-made pandemics, abstracted, microbial, moist, and poised for dissemination.
The usual downside of minimal art is that, after the initial impact, there’s very little to hold one’s visual attention. Michio Ihara confounds that flaw. Though his work appears simple and disciplined—and minimal—even his static pieces offer a great deal to engage the eye and the intellect.