NEW YORK New York Botanical Garden In the conservatory, discretely placed sculptures disrupt the palm court with evidence of exploitation and concealed secrets, revealing the hidden histories that lie just beneath the botanical garden’s scientific reserve.
Massimo Bartolini
PRATO, ITALY Centro per l’arte contemporanea Luigi Pecci Massimo Bartolini explores sculpture in a field so expanded that he looks beyond form. An alternative point of view to the familiar is typical of his approach, and in the case of sculpture, that alternative is to make an object into an event, a stage where metamorphosis from one state to another is followed and expectations shifted.
Henry Taylor
PHILADELPHIA Fabric Workshop and Museum By stacking, binding, and juxtaposing an assortment of formal elements to configure new images and meanings out of the familiar, Taylor coalesces the seemingly disparate objects making up this installation/exhibition into an itinerary of interrelated allusions.
Pepón Osorio
NEW YORK New Museum Osorio’s politically engaged trompe-l’oeil environments hit the nail squarely on the head. They remind us of the importance of things as vessels for memories, sentiments, and ideals.
Lindsey Mendick
EDINBURGH Jupiter Artland Private nightmares become public in this communal space. It’s not a divine comedy, but a very human one, freed from judgment, a morality nightmare upended.
“This Is Out of Hand”
PORTLAND, MAINE Institute of Contemporary Art at Maine College of Art & Design One particular resonance of carving, which is especially evident in Nash’s project, is that it parallels geologic processes like erosion, by wind and water, on both vast and near-instant timescales.
Bachrun LoMele
EUREKA, CALIFORNIA Morris Graves Museum of Art Burn Pile might function like a compass, redirecting our perception of truth to a sector located elsewhere, where logic does not apply.
Jasleen Kaur
GLASGOW Tramway As the exhibition title “Alter Altar” suggests, this is a place of fluidity, of ideas and events, of religious ritual alongside the unpredictability of everyday life.
William Edmondson and Brendan Fernandes
PHILADELPHIA Barnes Foundation Brendan Fernandes’s Returning to Before, commissioned by the Barnes Foundation in response to the exhibition “William Edmondson: A Monumental Vision,” proposes that gesture can reach back through time and connect us with the past.
