CHICAGO Museum of Contemporary Art “Forothermore” is a visually dazzling exhibition that showcases Cave’s relentlessly imaginative variations of repurposed found objects, masterfully assembled into works that manage to be both celebratory and poignant.
Stefana McClure
NEW YORK Bienvenu Steinberg & Partner Every object in Stefana McClure’s recent exhibition, “I See You Seeing Me (Meeting the Female Gaze),” projected thoughts staring back at the viewer, turning printed texts that we all should know (but mostly don’t) into knitted and otherwise reconstructed sculptures.
Sculptural Highlights from “The Milk of Dreams,” 59th Venice Biennale
Following Carrington’s subversive fairytales, Alemani proposes dreaming as a powerful tool for nourishing resilience and imagining alternative futures.
Whitney Biennial 2022
NEW YORK Whitney Museum of American Art “Quiet as It’s Kept,” the 2022 Whitney Biennial, fills two floors—one dark and labyrinth-like; the other bright and open—with works that explore the fluid and experimental nature of current art practice.
Stand-Out Pavilions for Sculpture at the 59th Venice Biennale
After a year’s delay due to the Covid pandemic, the 59th Venice Biennale is a triumph for women artists, who heavily outnumber men in both Cecilia Alemani’s curated exhibition “The Milk of Dreams” and the national pavilion displays.
Marta Pérez García
WASHINGTON, DC The Phillips Collection INVISIBLE, SILENCIO, NO—these are the only words in Marta Pérez García’s poetic installation Restos-Traces. The ghostly assembly of 19 female torsos immediately strikes a nerve.
Rana Begum
LONDON Pitzhanger Manor and Gallery The central sculptural installation in the gallery, No. 1081 Mesh (2021), seems to billow under the domed glass ceiling, acting as a conduit between viewers and the outside world, filtering daylight from the window above and drawing attention to the colored glass.
Abdulrazaq Awofeso
BIRMINGHAM, U.K. Ikon Gallery Awofeso takes this blankly ubiquitous material—used for transporting goods around the globe—and imbues it with humanity and character, using a variety of display techniques to evoke the personal and the collective experience of human migration.
Cristina Iglesias
LONDON Royal Academy of Arts Like many of Iglesias’s works, Wet Labyrinth forms a private place in a public space, offering a degree of seclusion and intimacy. It is also a space of memory and imagination.
Henry Moore
SOMERSET, U.K. Hauser & Wirth Lunar light creates the most unearthly depths and shadows and appears to enlarge silhouettes, its dramatic illusions heightening the sense of wonder and mystery. For Moore, this profound experience at Stonehenge precipitated a career-long investigation into scale, material, volume, and the juxtaposition of art and nature.
