Markus Copper

HELSINKI Museum of Contemporary Art Kiasma Informed by personal experience, an interest in performance art, and tragic events, these visually compelling works can physically affect the body and veer into thematic territory that some viewers and critics have found shocking.

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Anita Molinero

PARIS Musée d’Art Moderne Molinero’s approach is to melt her appropriated objects, a creative process that, like more traditional methods involving marble or bronze, is intimately linked to an act of destruction, or rejection.

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Mariana Castillo Deball

LONDON London Mithraeum Bloomberg SPACE The Column of Conglomerates is built from lump-like components that cannot be separated—a clear allusion to archaeological finds in which coins, pins, and crumbled fragments are lodged together with larger unidentified masses of fused material.

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Margarita Cabrera

SAN ANTONIO, TEXAS McNay Art Museum Margarita Cabrera’s socially engaged works—often communal projects addressing themes of national identity, hybridity, migration, and sacrifice—draw on the concept of nepantla, a Nahuatl word meaning “the space in the middle.”

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Reena Kallat

WARWICKSHIRE, ENGLAND Compton Verney Kallat’s highly political work is not didactic but open and suggestive in a manner that leaves visitors asking themselves more questions about what a “Common Ground” might mean for humankind today.

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Iza Tarasewicz

GLASGOW Tramway In “The Rumble of a Tireless Land,” Polish artist Iza Tarasewicz draws on her agricultural heritage to create a series of stark installations that occupy the Tramway’s cavernous space in a curious fashion.

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