NEW YORK Galerie Gmurzynska Presenting myriad mixed-media collage works executed throughout the late 1960s, 1970s, and early 1980s, the exhibition demonstrates that collage was not only a passing fancy for Nevelson, but the mooring to her entire enterprise.
Peter DeCamp Haines, Eric Sealine, Jocelyn Shu
BOSTON Boston Sculptors Gallery Boston Sculptors Gallery, the only sculpture collaborative in the country, is currently hosting three solo exhibitions to cap its fall season.
Millicent Young
STONE RIDGE, NEW YORK merge Entering Millicent Young’s site-specific retrospective “Alter Altar: 20 Years,” on view in merge’s two newly refurbished barns, is like entering a concise representation of human history.
Elisa D’Arrigo
NEW YORK Elizabeth Harris Gallery Delightfully bodied and splendidly decked out in glazes of many colors, the 20 new ceramic works in Elisa D’Arrigo’s current exhibition make their presence emphatically felt despite the modesty of their measurements.
Mika Rottenberg
SAN FRANCISCO Contemporary Jewish Museum Captured in one of Rottenberg’s spell-binding loops, as if in a newly created circle of Hell, you return again and again to each of these strange scenes, trying to parse their meaning.
Thomas Müller
LOS ANGELES Patricia Sweetow Gallery The transformation of text from print into scaled-up objects and the use of innocuous fonts combine to create a perception of language’s unstable skin.
Ebony G. Patterson
NEW YORK New York Botanical Garden In the conservatory, discretely placed sculptures disrupt the palm court with evidence of exploitation and concealed secrets, revealing the hidden histories that lie just beneath the botanical garden’s scientific reserve.
Massimo Bartolini
PRATO, ITALY Centro per l’arte contemporanea Luigi Pecci Massimo Bartolini explores sculpture in a field so expanded that he looks beyond form. An alternative point of view to the familiar is typical of his approach, and in the case of sculpture, that alternative is to make an object into an event, a stage where metamorphosis from one state to another is followed and expectations shifted.
Henry Taylor
PHILADELPHIA Fabric Workshop and Museum By stacking, binding, and juxtaposing an assortment of formal elements to configure new images and meanings out of the familiar, Taylor coalesces the seemingly disparate objects making up this installation/exhibition into an itinerary of interrelated allusions.
