Massimo Bartolini

PRATO, ITALY Centro per l’arte contemporanea Luigi Pecci Massimo Bartolini explores sculpture in a field so expanded that he looks beyond form. An alternative point of view to the familiar is typical of his approach, and in the case of sculpture, that alternative is to make an object into an event, a stage where metamorphosis from one state to another is followed and expectations shifted.

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Henry Taylor

PHILADELPHIA Fabric Workshop and Museum By stacking, binding, and juxtaposing an assortment of formal elements to configure new images and meanings out of the familiar, Taylor coalesces the seemingly disparate objects making up this installation/exhibition into an itinerary of interrelated allusions.

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“This Is Out of Hand”

PORTLAND, MAINE Institute of Contemporary Art at Maine College of Art & Design One particular resonance of carving, which is especially evident in Nash’s project, is that it parallels geologic processes like erosion, by wind and water, on both vast and near-instant timescales.

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Jane Lee

SINGAPORE Singapore Art Museum For Lee, abstract painting has long been more than a means to experiment with form and color on a flat surface. Rather than creating images or pictures, she stages her works as sensuous, spatial objects that bring surrounding architecture to life.

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Mire Lee

NEW YORK New Museum Lee’s interest in carnage, eroticism, the abject, and intuitive creative interventions is in line with Surrealist practice; while her biomorphic forms, sinuous lines, and painterliness constitute a response to Abstract Expressionism.

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