Sculpture is traditionally about the body. Mathilde Roussel alludes to the body indirectly, by way of sheets of paper or rubber hanging from the wall, which she refers to as skins, and amorphous columns built up of masses inspired by her study of overdeveloped musculature.
David Sherry: Wrong Art
Ever since Duchamp produced his readymades, the definition of sculpture has loosened and mutated, like an object plunged into an acid bath and slowly eroding. In England, Gilbert and George presented performances of themselves as living sculpture, while in the United States, strange cross – overs between installation and happening- between non-text-based theatrical troupes like
Coleen Sterritt: A Rotation of Facts
Coleen Sterritt’s odd and idiosyncratic work prods at the spaces between manufacture and nature, anonymity and authorship, art and craft. Offering an extended meditation on artifice, her objects teeter between variants of reality and their opposites.
Extracting Art From Almost Nothing: A Conversation with Jose Dàvila
Born in 1974, Jose Dàvila was raised in Guadalajara, Mexico. While interested in art, he chose not to attend the classically focused fine art university, enrolling instead in the architecture department at the Universidad Jesuita de Guadalajara.
The Dance of Beauty and Failure: A Conversation with Michelle Segre
Michelle Segre’s extraordinarily eclectic work juxtaposes forms, processes, materials, textures, colors, and ideas to exhilarating effect. Hers is difficult work that comes—as far as my own experience tells me—with a steep learning curve, because it pulls the rug from under one’s expectations regarding sculpture.
Unlikely Marriages: A Conversation with Gabriel Kuri
Contrast and juxtaposition are key principles in Gabriel Kuri’s work, guiding his treatment of formal and informal elements, texture, size, material, and color. Working with a range of materials, including found elements, Kuri takes a broad view of artistic process.
The Shape of Sound: A Conversation with Julianne Swartz
There is a certain truth that plain sight offers us as visual thinkers and explorers of life. Sound, however, is often overlooked, though it is a major contributor to how we understand our surroundings. When sound and vision mix, our senses are ignited, and an emotional response occurs.
Jarrett Mellenbruch: Use-Value Aesthetics
What do bees want? The fact that Jarrett Mellenbruch has spent seven years trying to find the answer tells you a lot about him. Haven, his most extensive project to date, features a series of pole-mounted, Corian, wood, and steel beehives designed to provide a safe environment for wild honeybees imperiled by colony collapse disorder
Jaewook Lee: Space As Window
Jaewook Lee’s work deals with the perceptions and theories that define our sense of place, humanity, and nature. Consisting of video, installation, and performance, his practice assumes that all relationships in space are sculptural, hence form, weight, volume, scale, and negative space create material extensions and possibilities of physical and sensorial space.
Arnaldo Morales: What Humans Do
Arnaldo Morales’s studio is a machinists dream come true. Points of pride are a 1977 variable speed Bridgeport milling machine, a 1966 Logan lathe, and not just a Clausing table saw, but also a Delta Rockwell horizontal band saw.
