Artist-run galleries in Australia in the ’70s and ’80s defined themselves as outside the conservative cultural structure. In the ’90s, artists’ spaces like Melbourne’s 1st Floor Gallery manage projects as if they were small businesses, with a high profile usually reserved for commercial galleries.
The Artist in the Museum: Infiltrating the Collection
Recent exhibitions have continued the distinguished history of artist’s interventions within the realm of the museological….see the full review in July/August’s magazine.
Prismatic Visions: An Interview with Rosa Martinez
The curator for SITE Santa Fe 1999, Rosa Martinez, was a member of the curatorial team for Rotterdam’s Manifesta I, curator for the International Project Rooms at ARCO, a participant for Phaidon Press’s Cream: Contemporary Art in Culture, and was the acclaimed artistic director of the 1997 Istanbul Biennial V.
The Artist in the Museum: “At Home in the Museum”
This exhibition at the Betty Rymer Gallery invited three artists to respond to the permanent collection of the Art Institute of Chicago….see the full review in July/August’s magazine.
