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Features


A Resonant Alchemy: An Interview with John Van Alstine

May 1, 2000 by Glenn Harper

John Van Alstine is widely known for works that combine stone, steel, and found objects (sometimes industrial in origin and sometimes natural or manmade forms cast in bronze). The work is abstract yet allegorical, exhibiting an ongoing narrative that is carried forward by the artist’s alchemical combination of forms and materials.

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Artists Talking: Creating a New Space for Public Discourse

May 1, 2000 by Virginia Maksymowicz

As artists are linked in new networks, what will happen to the way we interact? …see the full feature in May’s magazine.

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Focus: Peter Calaboyias

May 1, 2000 by Donald Miller

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Magdalena Jetelová: Enigmatic Sculpture of Time and Place

May 1, 2000 by Elaine A. King

Jetelová’s sculptures range from objects in space to architectural space as sculpture …see the full feature in May’s magazine.

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Making Public Art Work

April 1, 2000 by Cynthia Abramson Nikitin

Citizen involvement in public art initiatives is a common goal and a rare reality …see the full feature in April’s magazine.

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Standing on the Shoulders of the Past: Recent Landmark Sculptures in the United Kingdom

April 1, 2000 by Scott G. Burnham

Monumental sculpture exemplifies Northeast England’s history and redevelopment…see the full feature in April’s magazine.

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Globalization’s Undertow: An Interview with Paolo Colombo in Istanbul

April 1, 2000 by Carolee Thea

A biennial exhibition gave hope to a community and a voice to individual artists…see the full feature in April’s magazine.

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Focus: Jerry Pethick

April 1, 2000 by Matthew Kangas

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Site: Homomonument, Amsterdam

April 1, 2000 by Robert Preece

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Global Grooving at the Guggenheim: Nam June Paik

April 1, 2000 by Robert C. Morgan

“The Worlds of Nam June Paik” presents a mammoth spectacle of image-light…see the full feature in April’s magazine.

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Editor's Choice


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  • David Altmejd: The Serpent

    David Altmejd: The Serpent

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