Claiming the Source: Michele Oka Doner
You don’t have to look far for the origins of Michele Oka Doner’s work. As a child in Miami Beach, she fed on the “flotsam and jetsam of animal and mineral life,” and in turn….see the full feature in July/August’s magazine.
Fragments of Meaning: Zvika Lachman
Zvika Lachman’s passion as an artist is refined, austere, and articulate. He is a self-possessed artist, an artist who comprehends his own sense of being in relation to others….see the full feature in July/August’s magazine.
Spiral Jetty: The Re-Emergence
Seen from a hilltop at the north end of the Great Salt Lake, open-range grass and sagebrush stretch north, the pastel Wasatch Mountains lie low along the eastern skyline, and distant islands float in mirages to the south and west.
Types of Insurance that Sculptors Regularly Need to Obtain for their Studios, Employees, and Exhibitions
Just when it seemed that things couldn’t get any worse: the worst happened to Charles Ginnever. In the spring of 2003, the sculptor, who divides his time between Vermont and California, was given two months to leave the house and studio he had been renting for 13 years in the West Coast town of Petaluma:
Mary Jo Bole’s Memento Mori
One of the first things you notice when you see Mary Jo Bole’s work is just how much there is to look at. In any project, say My First Dutch Lesson: Rust/Rest (1997–99) or Granny’s Necklace (1999–2000), there may be intricate surfaces and sculptural forms, tiny mosaic tiles and cast bronze plaques, images to decipher,
