The Biennale di Venezia raises questions about the role of art in a media-driven society…see the full review in October’s magazine.
No Time for Second: A Conversation with Patricia A. Renick
Patricia A. Renick, the International Sculpture Center’s 2003 Outstanding Sculpture Educator Award recipient, was born in Lakeland, Florida, in 1932 and taught at the University of Cincinnati, College of Design, Architecture and Art for 31 years.
Opening the Door: A Conversation with Georgia and David K. Welles
The recipients of the ISC 2003 Patron Recognition Award on art and collecting….see the full review in October’s magazine.
Forum: Boston Sculptors
Sculptors in Boston have a precarious existence. For a long time collectors had no idea what to do with three-dimensional objects, and galleries were indifferent to them. Public projects, notably the Red Line subway extension through Cambridge, spawned some public works, although most of them were executed by out-of-towners.
Wandering Through Time: The Sculpture of Steven Siegel
The most obvious and the most obscure thing in the world, this walking that wanders so readily into religion, philosophy, landscape, urban policy, anatomy, allegory, and heartbreak… Walking itself is the intentional act closest to the unwilled rhythms of the body, to breathing and the beating of the heart.
Forum: Odyssey in the Okanagan
The “Austrian model” sculpture symposium was initiated in 1959 by sculptors Karl Prantl and Mathias Heitz, who were inspired by previous symposia in Yugoslavia in the early ’50s. In this type of symposium, an entity, whether sculptor-run or otherwise, invites sculptors to a community, quarry, or work-site to make sculpture with locally available materials, such
Sentinels Through Time: Beverly Pepper’s “Markers”
Pepper’s “Markers” and “Sentinels” strive toward emotion, renewal, and history…see the full review in September’s magazine.
