Mary Jo Bole’s Memento Mori

One of the first things you notice when you see Mary Jo Bole’s work is just how much there is to look at. In any project, say My First Dutch Lesson: Rust/Rest (1997–99) or Granny’s Necklace (1999–2000), there may be intricate surfaces and sculptural forms, tiny mosaic tiles and cast bronze plaques, images to decipher,

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