In Germany, Israeli sculptor Micha Ullman achieved fame with his extraordinary memorial, the underground Bibliothek on Berlin’s Bebelplatz. The square room, its walls lined with empty shelves, is located exactly where the Nazis burned thousands of books on May 10, 1933.
Being There and Letting Go: A Conversation with Lincoln Schatz
Portraiture of all varieties is hot in the current art market. Just as traditional portraiture risks superannuation by alternative approaches like Facebook and Second Life, Chicago-based Lincoln Schatz is charting new ground. His interactive video portraits fuse likeness and identity with character probing and perpetual change.
Nathan Slate Joseph: Pure Pigment, Constructed Form
Pigment has played an important, if often overlooked, role in the history of sculpture. Ancient sculptures were once brightly colored, but weathering soon eroded almost all of their painted surfaces. Many medieval sculptures were stripped of paint in the 19th and 20th centuries, when most critics considered polychromy in sculpture to be unacceptable.
Melbourne: Alive with Sculpture
Only those Melbournians with long memories will be fully aware of the dramatic changes that have occurred in the field of sculpture here. Once a place of limited activity, Melbourne is now vibrantly alive with sculptural events.
Geoffrey Bartlett: Neither Easy, Nor Complacent
Unquestionably one of Australia’s leading sculptors, Geoffrey Bartlett was recently honored by a major survey exhibition at the National Gallery of Victoria, in Melbourne. Using an astonishingly diverse range of materials, he has evolved a highly personal style—a style that has continued to develop from his early student works of the late 1970s, when he
Anthony McCall: In the Flow
The French philosopher Alain Badiou once noted that art “must be as rigorous as a mathematical demonstration, as surprising as an ambush in the night, and as elevated as a star.”1 Few artworks live up to this aspiration better than the solid light films of Anthony McCall.
Linda Ridgway: Intimate Castings of Experience
Linda Ridgway decided to work in bronze 20 years ago, adding her printmaker’s point of view to an age-old medium. She has exhibited widely since 1974, with solo exhibitions at the Dallas Museum of Art, the Glassell School of Art at the Museum of Fine Arts in Houston, the El Paso Museum of Art, Dunn
Learning from New Orleans: A Conversation with Shirley Trusty Corey and Mary Len Costa
While images of Hurricane Katrina and its aftermath are well known, other behind-the-scenes aspects of the devastation have not received much media attention. For instance, what happens to an art community when a disaster like this occurs?
Alastair Noble: Imagination Made Material
Alastair Noble is an English sculptor living and working in New York. His diverse and compelling body of work includes resonant sculptures and installations that invite viewers to engage in a creative collaboration, and in so doing, to undertake their own imaginative journeys into a terrain where material, space, and ideas coincide in objects of
Lee Mingwei: Beyond Labels
The trapezoidal booths made of pale wood and translucent glass have the hushed atmosphere of small chapels big enough for just one worshipper at a time. They encourage you to enter reverently and purposefully, and once inside, you find materials to write a letter.
