Puerto Vallarta. Mexico Pacifica Gallery The work of Mexican artists Ramiz Barquet, 78, and Rogelio Diaz, 32, seems as different yet as natural as the pulsing ocean and the craggy mountains… see the full review in the print edition of October 1999’s Sculpture magazine.
Cyberarts Festival
Boston The first Boston Cyberarts Festival combined a variety of art forms, including electronic art, music, dance, painting, photography, sculpture, and weaving, shown at a variety of institutions across the area… for the full review see the print edition of October 1999’s Sculpture magazine.
The Minneapolis Sculpture Garden
(Foreground) Mark di Suvero, Arikidea (detail), 1977–82. Cor-Ten steel, steel, and cedar, 316.5 x 510 x 450 in. (Background) Siah Armajani, Irene Hixon Whitney Bridge, 1988. “And now I cannot remember how I would have had it.
Dispatch: Venice Biennale
Political, racial, and religious conflicts, amplified by technology blitz, have plagued this century, making dinosaurs of our cities and spawning a relentless global nomadism… see the full review in the print edition of October 1999’s Sculpture magazine.
Book Review: James Croak
To trace the elliptical and idiosyncratic trajectory of James Croak’s work over the last 25 years is to get a glimpse of the twists and turns that art has taken between late Modernism, Anti-modernism, and Postmodernism… see the full review in October 1999’s edition of Sculpture magazine.
Fiona Foster
London Riverside Studios When approaching the work of Fiona Foster, the following question arises: What are these objects?… for the full review see the print edition of October 1999’s Sculpture magazine.
Portrait of the Atom as a Force Diagram in Space: Kenneth Snelson’s Digital Excursions
Kenneth Snelson’s large-scale sculptures of steel tubes and wires have gained international recognition in exhibitions and collections worldwide. However, Snelson’s interest in the construction of matter has also produced an entirely different line of work on a submicroscopic level: his on-going art work “Portrait of an Atom.”
Annet Couwenberg
Wilmington, DE University of Delaware, Art Department The work in Annet Couwenberg’s latest show demonstrates both a plurality of technique and a singularity of purpose… for the full review see the print edition of October 1999’s Sculpture magazine.
Escondido Phoenix ’99
Malibu Installed in the rustic Escondido canyon of Malibu, this outdoor sculpture exhibition featured works by 10 Los Angeles-based artists… for the full review see the print edition of October 1999’s Sculpture magazine.
