(Foreground) Mark di Suvero, Arikidea (detail), 1977–82. Cor-Ten steel, steel, and cedar, 316.5 x 510 x 450 in. (Background) Siah Armajani, Irene Hixon Whitney Bridge, 1988. “And now I cannot remember how I would have had it.
Dispatch: Venice Biennale
Political, racial, and religious conflicts, amplified by technology blitz, have plagued this century, making dinosaurs of our cities and spawning a relentless global nomadism… see the full review in the print edition of October 1999’s Sculpture magazine.
Book Review: James Croak
To trace the elliptical and idiosyncratic trajectory of James Croak’s work over the last 25 years is to get a glimpse of the twists and turns that art has taken between late Modernism, Anti-modernism, and Postmodernism… see the full review in October 1999’s edition of Sculpture magazine.
Fiona Foster
London Riverside Studios When approaching the work of Fiona Foster, the following question arises: What are these objects?… for the full review see the print edition of October 1999’s Sculpture magazine.
Portrait of the Atom as a Force Diagram in Space: Kenneth Snelson’s Digital Excursions
Kenneth Snelson’s large-scale sculptures of steel tubes and wires have gained international recognition in exhibitions and collections worldwide. However, Snelson’s interest in the construction of matter has also produced an entirely different line of work on a submicroscopic level: his on-going art work “Portrait of an Atom.”
Annet Couwenberg
Wilmington, DE University of Delaware, Art Department The work in Annet Couwenberg’s latest show demonstrates both a plurality of technique and a singularity of purpose… for the full review see the print edition of October 1999’s Sculpture magazine.
Escondido Phoenix ’99
Malibu Installed in the rustic Escondido canyon of Malibu, this outdoor sculpture exhibition featured works by 10 Los Angeles-based artists… for the full review see the print edition of October 1999’s Sculpture magazine.
Michael Beatty and Mike Newby
Boston The Gallery @ Green Street The Gallery @ Green Street is an alternative space located at the entryway to an Orange line subway station in suburban Boston that would not be there… for the full review see the print edition of October 1999’s Sculpture magazine.
