Oriunda de Rancagua, Chile, la artista multidisciplinaria Voluspa Jarpa, Docente Universidad Católica de Chile y con una vasta formación no solamente en el campo del arte sino en todas las áreas que comprometen, cultural y políticamente, el desarrollo y comprensión de los movimientos sociales, la historia y su representación.
Positive Negatives: A Conversation with Roland Persson
The work of Swedish artist Roland Persson manifests a profoundly complex verisimilitude. This applies not only to the nature of his subject matter, which ranges from dreams and personal experience to considerations of the human condition, our relationship to nature, and the vagaries of urban life, but also to form and content, which are governed by his scientific attention to detail, technical skill, material choices, and psychological approach.
Josh Faught
SEATTLE Henry Art Gallery, University of Washington Proceeding from conceptual art’s loaded objects, Faught has crammed and jammed pockets and slits within the woven fabric with archival queer history publications, relics, and trivia.
Constant Negotiation: A Conversation with Anya Gallaccio
Anya Gallaccio’s sculptures and installations encourage deep engagement with the natural world and its cycles of growth and decay. Since the 1990s, she has been using organic materials, including apples, flowers, trees, chocolate, wax, ice, and chalk, that undergo radical transformation during the lifetime of the work.
No Clear Boundaries: A Conversation with Christopher McNulty
Recipient of the 2024 Educator Award For 25 years, Christopher McNulty, director and professor in the School of Art at the University of Tennessee, has examined the fragile equilibrium between humans and their surroundings.
Ian Hamilton Finlay
LONDON Victoria Miro The intellectual weight behind the project is considerable but made infinitely pleasurable by the substance and depth of Finlay’s endeavor as a sculptor of gardens, poems, and fragments and by his use of wit and play.
David Hammons
LOS ANGELES Hauser and Wirth While both iterations have followed immense tragedy—9/11 and then the Palisades and Eaton fires—what Hammons attunes us to is not the instance of tragedy itself, but the infinitely combinatory and socially contingent conditions that inform the spaces we occupy.
Something Tangible: A Conversation with Stefanie Hollerbach
Dresden-based Stefanie Hollerbach is interested in materials and materiality, as well as paradoxes. After initially training as a wood sculptor, she went on to study with Alicja Kwade at the Dresden University of Fine Arts. Hollerbach’s works deal with the world of things, particularly ordinary, often overlooked details.
Object Lessons: Melissa Stern
I begin with the germ of an idea—a color, an object, a gesture. From that small beginning, a piece develops. I often make process drawings of a sculpture, but I never know what or who it’s going to be.
Field of Experimentation: A Conversation with Sofía Salazar Rosales
Sofía Salazar Rosales, a sculptor and installation artist who lives in Amsterdam, explores a range of unexpected forms and materials, many of them referring to her Ecuadorian roots. She’s known for her “material-poetic” practice, often infused with sociopolitical content.
