Diane Simpson

NEW YORK James Cohan Essentially collagraph plates that were too large for the printing press, the “Constructed Paintings” are axonometric renderings that embrace the idea of depth without illusion.

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Madeline Hollander

NEW YORK Bortolami Rather than trading on Deleuzian idioms and hackneyed “rhizomatic” platitudes—which, even if applicable, merely describe the ubiquity of synthetic processes, having little to do with sculpture’s necessary domain of optical perception—Hollander’s work homes in on the relations of linked relata.

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“When Forms Come Alive”

Hayward Gallery London Through May 6, 2024 “When Forms Come Alive” presents a survey of mutable, voluptuous form in contemporary sculpture with large-scale work by 21 artists, including Nairy Baghramian, Phyllida Barlow, Choi Jeong Hwa, Tara Donovan, Holly Hendry, EJ Hill, Marguerite Humeau, and Matthew Ronay.

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Counter Images: A Conversation with Raphaela Vogel

Raphaela Vogel’s practice has evolved like the proverbial rolling snowball. As a student, she became interested in the performative aspects of painting, which led her to video (featuring herself and sometimes her dog as performers), to self-recorded music and what she calls “video sculptures,” as well as to large-scale installations combining all of these elements.

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Rosemarie Castoro

LLANDUDNO, WALES Mostyn A line of aluminum tape runs across the floor, walls, and ceiling of the space, dividing it in two. Castoro began to make these spatially delimiting pieces after she created a similar line, or crack, to demarcate work and living space in her New York loft.

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