Agustina Woodgate, who divides her time between Buenos Aires, Miami, and Amsterdam, sees the human landscape—its spaces, systems, and representation of values—as a conceptual geography open to questioning and improvement.
September/October 2022
September/October 2022
About Potential: A Conversation with Asim Waqif
Recipient of the 2021 Innovator Award Asim Waqif embraces multiple mediums and materials. Ranging from invented archaeological sites to multisensory and interactive, architecturally scaled environments created from reclaimed timber, demolition salvage, or bamboo, his work cannot be confined by formal parameters or defined by subject matter.
Gregor Schneider: A Sense of Distance
By the time Gregor Schneider was a teenager, he had already begun speculating about alienation and the place of death in life, as well as the deep-seated relationships between people and the spaces they inhabit.
Real Light and Real Angles: A Conversation with Larry Bell
Larry Bell has been pursuing abstract art for over six decades. He is known for his surface treatment ofglass, using it to explore light and space, reflections and shadows, in sculptures that usually take the form of cubes and nesting boxes.
Thinking Through Place: A Conversation with Anina Major
Anina Major connects to her familial lineage as she weaves clay vessels layer by layer. Through her Bahamian heritage, she investigates the uniqueness of being born and raised on an island where the economy and opportunities for upward mobility are directly tied to tourism.
Arthur Simms
NEW YORK Martos Gallery Simms’s repetitive binding brings to mind the work of Jackie Winsor and Eva Hesse, and he shares with them an embrace of process and industrial materials.
Between Two Knowns: A Conversation with Nathaniel Rackowe
Nathaniel Rackowe’s large-scale, futuristic works are fundamentally influenced by modern urban architecture. Spanning sculpture, installation, and public art, his practice is concerned with abstracting the metropolis into units of form.
Fernando Casasempere
LONDON London Mithraeum Bloomberg SPACE There is the literal sense of stripping away layers to reveal what’s underneath, word play well-suited to a venue situated above the remains of a subterranean Roman temple and equally relevant to the Chilean artist’s core interest in the archaeology of memory and time.
Alan Saret
NEW YORK Karma With each sculpture and drawing purposefully demonstrating the range of his gestures, the exhibition examines 50 years spent tracing the spectacular subtlety of nature through almost immaterial manipulations of wire and other manmade materials.