Henry Taylor

PHILADELPHIA Fabric Workshop and Museum By stacking, binding, and juxtaposing an assortment of formal elements to configure new images and meanings out of the familiar, Taylor coalesces the seemingly disparate objects making up this installation/exhibition into an itinerary of interrelated allusions.

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“This Is Out of Hand”

PORTLAND, MAINE Institute of Contemporary Art at Maine College of Art & Design One particular resonance of carving, which is especially evident in Nash’s project, is that it parallels geologic processes like erosion, by wind and water, on both vast and near-instant timescales.

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Jane Lee

SINGAPORE Singapore Art Museum For Lee, abstract painting has long been more than a means to experiment with form and color on a flat surface. Rather than creating images or pictures, she stages her works as sensuous, spatial objects that bring surrounding architecture to life.

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Mire Lee

NEW YORK New Museum Lee’s interest in carnage, eroticism, the abject, and intuitive creative interventions is in line with Surrealist practice; while her biomorphic forms, sinuous lines, and painterliness constitute a response to Abstract Expressionism.

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Krista Clark: Change of Plans

In Krista Clark’s deft hands, the languages of architecture and sculpture collide, with line, composition,color, volume, and space all coming into play. Her works are crafted from materials typically associated with the building process, but their engagement of space and their relationship to the human body propel them into a deeper conversation.

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