Boston The Gallery @ Green Street The Gallery @ Green Street is an alternative space located at the entryway to an Orange line subway station in suburban Boston that would not be there… for the full review see the print edition of October 1999’s Sculpture magazine.
October 1999
Nancy Rubins
New York Paul Kasmin Gallery ln her recent large construction of used airplane parts at the Paul Kasmin Gallery, Nancy Rubins offered a new position with regard to the recycling of materials… for the full review see the print edition of October 1999’s Sculpture magazine.
Cecilia Vicuña and Lenor Malen
New York Art in General The traveling exhibition by Chilean born sculptor, installation artist, performer, and poet… for the full review see the print edition of October 1999’s Sculpture magazine.
Dispatch: Melbourne International Biennial
“Signs of Life” ln our technological society we all suffer from overload, from a virtual avalanche of information that besets us daily… see the full review in the print edition of October 1999’s Sculpture magazine.
Raymond Saa Stein and “In My Room”
New York White Columns Raymond Saa Stein’s installation Lindo Yambu was part of White Column’s ongoing series of solo exhibitions for artists unaffiliated with a New York gallery… see the full review in the print edition of October 1999’s Sculpture magazine.
Roy Lichtenstein
Washington, DC Corcoran Gallery of Art From the moment you approach Brushstroke Group (1988), installed outdoors on the Corcoran’s grounds, you exult in the power and magic of Roy Lichtenstein.… for the full review see the print edition of October 1999’s Sculpture magazine.
Pier Paolo Calzolari
Bologna Villa delle Rose Numerous exhibitions of Pier Paolo Calzolari’s work have been organized by private galleries and museums both in Europe and America… for the full review see the print edition of October 1999’s Sculpture magazine.
Lynda Grimm
Atlanta Solomon Projects Spare gestures of wood and pigment express an Asian sensibility in new sculptures by New York artist Lynda Grimm… for the full review see the print edition of October 1999’s Sculpture magazine.
