Recent exhibitions in New York, Spokane, and Seattle confirm the growing achievements of veteran ceramic sculptor Patti Warashina. Beginning as the ultimate escapist/fantasist in the ’60s with her sculptures Moon Dog Dream (1969) and Ketchup Kiss (1966), by the 1980s Warashina had moved on to all-white porcelain statuettes of demonic, gleeful, and revenging female figure groups.
March 2006
Kicking Out the Boundaries: A Conversation with Kiki Smith
We are in a living room filled with candelabras, sculpted birds, and female figures. Birdy, the 15-year-old dove, contentedly watches the rain through a back window. Kiki Smith is leaving for Italy tomorrow to open a show and then travels to San Francisco to install a 25-year retrospective, yet she calmly draws as she discusses
Stella Waitzkin: Idiosyncrasy’s Library
The libraries of the late Stella Waitzkin (1920–2003), contained in her home and studio at the Chelsea Hotel in New York City, suggest a robust, nearly obsessional relationship between Waitzkin and books, which she immortalized as emblems and symbols of an erudition whose importance is physical as much as it is spiritual.
Willie Cole: The Other Side
Willie Cole creates elegant artworks that challenge prevailing ideas of identity and perception. His combination of visually seductive materials and witty humor serves to temper his serious and sometimes difficult subject matter. In his deft hands, discarded domestic items are transformed into mythical figures and objects that carry poignant commentaries within their iconographic arrangements.
