For these artists, minimal objects are links in a chain of association and causation …see the full feature in June’s magazine.
June 2000
Robert Arneson
Lincoln, MA DeCordova Museum and Sculpture park Robert Arneson, Chemo I, Bronze, 47 x 21 x 19 in. Robert Arneson confronts the Sculpture June 2000 public at the DeCordova Museum the way he confronted everything: he stands, in polychromed bronze at the end of a corridor, arms folded, jean jacket open over chest and navel.
Bradley McCallum
New York Cathedral Church of St. John the Divine Elie Wiesel and others have noted the growing significance of testimony in contemporary life. ln a mediated environment of information that seems sensational or inconsequential, the testimony of an eyewitness offers something explicit and reliable.
Carlos Mollura
Seattle
Welcome Home: Project Row Houses
Arts, housing, history, and community combine in an antidote to urban ills …see the full feature in June’s magazine.
Sculpture in Houston
Houston reveals a lively art scene and unusual opportunities to exhibit sculpture…see the full feature in June’s magazine.
Heo Jeong-Hee
Singapore
Robert Therrien
Los Angeles
Leslie Bohnenkamp
New York
Patrick Collier
Grand Rapids, MI Dynamite Gallery Project Patrick Collier, installation, view of Co-Winky-Dink, 1999. Mixed media, dimensions variable. ln the tiny storefront of the Dynamite Gallery Project, Chicago artist Patrick Collier has created a theatrical space where matter and mind merge, theory blurs into tangible experience, and the mythical narratives of life, love, and belief are