Al Farrow’s Modern-Day Reliquaries

To say that Al Farrow’s work achieves strong visual effect grossly understates the success of his recent “Twentieth Century Reliquaries” series. Consider the most important piece—The Spine and Tooth of Santo Guerro, an enormous sculpture that at first glance appears to replicate the form of a Gothic cathedral.

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Michelangelo Pistoletto: Against Imperatives

Michelangelo Pistoletto’s work has undergone a number of profound transformations over the last 55 years, none more dramatic than those that occurred during a few incendiary years in the mid-1960s. Works from this period provide the core of “Michelangelo Pistoletto: From One to Many, 1956–1974,” which debuted at the Philadelphia Museum of Art and is

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LAND of Opportunity

It all began by thinking outside of the institutional box. In January 2009, LAND—the Los Angeles Nomadic Division—premiered its inaugural set of curated artist activities at four sites across L.A. and emerged as the city’s most ambitions public art initiative in recent history.

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Federico Díaz: Post-Human Sculpture

It looks like a giant black tsunami crashing headlong into the wall of the building. Does this mean that the creator of said wave, Federico Díaz, has something against the Massachusetts Museum of Contemporary Art? His response to this question, like many others, isn’t a simple “yes” or “no.”

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Marcello Morandini

Mantua, Italy Casa del Mantegna The work of a living sculptor who describes the “infinite and eternal world of geometry” might, or might not, fit happily into living space planned with geometrical rigor by a 15th-century painter and now put to use as a gallery.

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Douglas White

Dublin Kevin Kavanagh Gallery Douglas White’s recent work sets up a number of contrasting references that convey a powerful sense of mystery. Grouped under the alchemical title “Black Sun,” his sculptures and drawings evoke light and dark and speak of powerful bursts of energy and their residues.

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