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January/February 2005

January/February 2005

Zachary Coffin: Forming a Limited Liability Corporation for the Support of New Work

January 1, 2005 by Daniel Grant

For all the talk about how the art world is really an industry and how artists should think of themselves as being in business, actual examples of corporate behavior in the fine arts often comes as a surprise.

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Ju Ming

January 1, 2005 by sculpturemag

Singapore Singapore was the first stop for…see the full review in January/February’s magazine.

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Giuliano Vangi

January 1, 2005 by Laura Tansini

Milan Giuliano Vangi was born in 1931 in…see the full review in January/February’s magazine.

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Claudia Aranovich

January 1, 2005 by sculpturemag

Buenos Aires ln a luxurious late 19th-century mansion…see the full review in January/February’s magazine.

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J. Lynn Campbell

January 1, 2005 by Gil McElroy

Bowmanville, Canada With her recent work, Toronto-based sculptor…see the full review in January/February’s magazine.

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Jim Hodges

January 1, 2005 by sculpturemag

Greensboro, North Carolina Jim Hodges’s enchanting, multifaceted work appeared…see the full review in January/February’s magazine.

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“Artefact 2004”

January 1, 2005 by John K. Grande

Montreal, Canada Mount Royal Park, designed by Frederick Law…see the full review in January/February’s magazine.

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David Smith

January 1, 2005 by Robert C. Morgan

New York As I took my seat on the subway…see the full review in January/February’s magazine.

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Ana Mendieta

January 1, 2005 by Susan Canning

New York This traveling retrospective of Ana Mendieta’s work…see the full review in January/February’s magazine.

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Niki Ketchman

January 1, 2005 by Jill Conner

New York The use of nature in art can appear…see the full review in January/February’s magazine.

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