San Francisco Refusalon Transplanted Transylvanian artist horea’s latest installment of… for the full review see the print version of January/February 2001’s Sculpture magazine.
January/February 2001
George Segal
Philadelphia Locks Gallery During his 45-year career, George Segal witnessed a multitude of styles seize the art world for a day and then disperse… for the full review see the print version of January/February 2001’s Sculpture magazine.
The Center of Polish Sculpture in Oronsko, Poland
Andrzej Bednarczyk, Angels’ Whispers. View of work as installed in the sculpture park at Oronsko. The Center of Polish Sculpture in Oronsko, located 120 kilometers south of Warsaw, is a singular institution devoted entirely to the creation, exhibition, and documentation of Polish sculpture.
Ken Butler: The Voice of Anxious Objects
A fantastic and colorful collection of menacing dinosaurs, mythological beasts, and predatory aliens marches exuberantly across the wall of Ken Butler’s studio. The high-tech appearance of these Zoids (snap-together Japanese toy kits) belies their ingenious low-tech assembly and simple mechanisms.
The Subconscious of Civilization: An Interview with Liliana Porter
This Argentine artist stages fables from the subconscious of contemporary culture …see the full feature in January/February’s magazine.
The Wanås Foundation: Patronage and Partnership
You wouldn’t normally expect the buildings and grounds surrounding a 15th-century castle in southern Sweden to be the site of an impressive, risk-taking international sculpture project, but that’s precisely the case with the Wanås Foundation. Since 1987, Marika and Charles Wachtmeister have invited international artists to respond to this unorthodox location, usually in group shows
Open To All Inspirations: An Interview with Willie Cole
Cole transforms ordinary objects into sculpture with profound metaphorical resonance …see the full feature in January/February’s magazine.
