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January 1998


Stefan Lindfors

January 1, 1998 by Marlena Doktorczyk-Donohue

Santa Monica Patricia Correia Gallery at Bergamot Station Stefan Lindfors is Finland’s laureate designer, equally recognized… see the print version for the full review.

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Susan Schwartzberg and Ali Sant

January 1, 1998 by Donna Schumacher

San Francisco New Langton Arts The term “Single Room Occupancy” or “SFO” describes a typology of domestic architecture… see the print version for the full review.

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Jay Johnson

January 1, 1998 by Collette Chattopadhyay

San Diego Museum of Contemporary Art, San Diego Jay Johnson continues to be an inventive and witty presence on the San Diego art scene… see the print version for the full review.

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“Brazilian Sculpture”

January 1, 1998 by George Howell

Washington, D.C. Inter-American Development Bank, Cultural Center This look at modern Brazilian sculpture, hosted by the lnter-American Development Bank (lDB)… see the print version for the full review.

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“Enterprise”

January 1, 1998 by Elaine A. King

Boston Institute of Contemporary Art The art of the closing years of the 20th century evinces the spirit of a degenerated, chaotic society devoid of meaning… see the print version for the full review.

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Stephen Whittlesey

January 1, 1998 by Ann Wilson Lloyd

Brockton, MA Fuller Museum of Art Stephen Whittlesey is best-known for studio furniture sturdily crafted from recycled bits and pieces… see the print version for the full review.

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“Expanding Textile Concepts”

January 1, 1998 by Jan Garden Castro

St. Louis R. Duane Reed Gallery Jane Sauer’s new fiber art, loaded with literal and figurative sexual energy… see the print version for the full review.

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Michael Aurbach

January 1, 1998 by Dorothy M. Joiner

Nashville Sarratt Gallery at Vanderbilt University A jocular stab at institutional secrecy… see the print version for the full review.

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Mara Adamitz Scrupe and Jann Rosen-Queralt

January 1, 1998 by Teresa Annas

Virginia Beach, VA Contemporary Art Center of Virginia/Norfolk Botanical Garden ln “Sightings,” an exhibition of environmental sculpture at two southeastern Virginia venues… see the print version for the full review.

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“A Permeable Edge”

January 1, 1998 by George Howell

McLean, VA Emerson Gallery, McLean Project for the Arts This exhibition of contemporary fiber art by 13 women artists explored material culture from a feminist perspective… see the print version for the full review.

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