Krista Clark: Change of Plans

In Krista Clark’s deft hands, the languages of architecture and sculpture collide, with line, composition,color, volume, and space all coming into play. Her works are crafted from materials typically associated with the building process, but their engagement of space and their relationship to the human body propel them into a deeper conversation.

Read More


Object Lessons: Trenton Doyle Hancock

When people come in, they expect certain things out of a basketball court, and they’re confronted with these lines that don’t quite line up with what they’re used to. My design means that people almost have to find new play patterns within it, until they can acclimate to the space and the work.

Read More


Simone Leigh

BOSTON Institute of Contemporary Art Simone Leigh’s first-ever museum retrospective demonstrates her abiding use of clay (and nascent use of bronze) as a material and conceptual means to amplify Black female experiences and the spaces created by Black feminists.

Read More


Suspended States: A Conversation with Camille Norment

Camille Norment shapes sound in relation to time, space, and the human body. Her work, which embraces sculpture, architecture, and history, explores sonic and social dissonance—as well as harmony—through her notion of cultural psychoacoustics, which includes the investigation of sound as a force over cultures, societies, and minds, as well as human and non-human bodies.

Read More


Sonia Boyce

MARGATE, U.K. Turner Contemporary Boyce’s videos of this session reveal how the participants grew in trust and how their improvised collaborations became increasingly confident and playful, questioning authority and authorship.

Read More


Arthur Simms

LOS ANGELES Karma Improvisatory and yet obsessive, Arthur Simms’s sculptures manifest the intensity of his process. His work is provocative, compelling, hard to look at—and at least part of its power comes from his drive to make such fierce, volatile, and demanding objects.

Read More