Entering Yayoi Kusama’s Infinity Mirrored Room—Filled with the Brilliance of Life (2011), as staged at Tate Modern, you found yourself in a darkened, boxed space filled with colorfully flashing, suspended lights. The walls were lined with mirrors and the floor filled with water.
Archive
Constance DeJong: Beauty, Bare
There is no escaping the impact of a fully realized and meticulously executed sculpture by leading New Mexico artist Constance DeJong. Her quintessential black pieces, which she calls her “Four/Three Series,” evoke what might be called a shudder.
John Ruppert: Staging Energy
Back in 1992, John Ruppert was cleaning out his studio and rolling up some chain-link fencing when it got away from him. When he caught it, the loose end fanned out into space. All of a sudden, he realized that this loosely woven material had a structure, and he became interested in its mobilization of
Carsten Höller
NEW YORK New Museum Nauseous and uncomfortable, with pumping adrenalin, racing heartbeat, and itching skin—that describes how I felt leaving “Experience,” Carsten Höller’s first New York survey.
“E8: Sculpture”
WASHINGTON, DC Transformer In 2004, Transformer launched its “Exercise” program—a peer critique and mentorship program culminating in short exhibitions for participating artists. As last year’s roster attested, the program continues to thrive as a dynamic incubator.
Ellsworth Kelly
BOSTON Museum of Fine Arts Boston Unlike most Ellsworth Kelly shows, “Ellsworth Kelly: Wood Sculpture” was all brown. This first exhibition devoted exclusively to the artist’s works in wood bypassed the early painted pieces to focus on sculptures that celebrate the color, texture, and grain of the unadorned material.
Song Dong and Yin Xiuzhen
NEW YORK Chambers Fine Art For more than 10 years, the eminent Chinese artists Song Dong and Yin Xiuzhen (who had achieved individual acclaim before they started to collaborate) have been constructing an enduring project based on the chopstick. Their first “Chopstick” exhibition in 2002, which celebrated their 10-year anniversary as a married couple, engaged the eating implement as a metaphor for the personal bonds that connect them.
Foundation for Art and Preservation in Embassies (FAPE)
NEW YORK United States Mission to the United Nations In 2011, the Foundation for Art and Preservation in Embassies (FAPE) launched one of its most expansive and comprehensive installations of sculpture, located in the United States Mission to the United Nations. FAPE began in 1986 with an art and restoration project in Beijing.
Ligorano/Reese
NEW YORK Jim Kempner Fine Art “ICED,” Nora Ligorano and Marshall Reese’s recent exhibition, had genuine political clout—a real achievement for this collaborating couple, since so much political art in America undermines itself with rhetorical overstatement and callow self-righteousness.
Liliana Porter
NEW YORK Hosfelt Gallery Although many artists incorporate figurines, toys, animals, and signs into their work, Liliana Porter’s take on this strategy stands out for its overtly political, international layers. For example, one work in her recent show, The Intruder, juxtaposes a crowd of over 50 figurines varying in size, era, material, and culture.
