Seattle Abmeyer + Wood Fine Art The fourth exhibition of Doris Chase’s work since her death in 2008 focused on the decade 1964–74. Drawn from the artist’s estate, the survey revealed Doris Chase before she became “Doris Chase,” pioneer godmother of dance video.
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Salvatore Scarpitta
Washington, DC Hirshhorn Museum and Sculpture Garden Nowadays countless artists make use of everyday discards, but Salvatore Scarpitta (1919–2007) was a trailblazer at, as he put it, “introduc[ing] into the art experience the life experience.” Given his passion for cars, he didn’t just recycle car parts.
Ivan and Heather Morison: Survival Instinct
Viewers familiar with the British artists Ivan and Heather Morison expect their work to elicit a sense of unease. Anna, a piece of object theater installed in their 2012 Hepworth Wakefield exhibition, showcased their diversity of media and approaches.
Travis Somerville
Birmingham, Alabama beta pictoris gallery Birmingham, past and present, became a site of charged memory in Travis Somerville’s recent exhibition, “American Rhetoric.” His brooding paintings and sculptures feature the piercing gaze of three different groups—glaring, black adults, children who died in the 16th Street Baptist Church bombing, and dour-looking white men in blackface—all highly confrontational
Gail Grinnell
Boise, Idaho Boise Art Museum Seattle artist Gail Grinnell has gained her share of attention over the past several years with thoughtful fabric-based installations and striking wall hangings at prominent venues throughout the Northwest. angle of repose, a site-specific project for the Boise Art Museum’s high-ceilinged, expansive Sculpture Court, enabled her to create her largest
Timothy Noble
Buffalo, New York Burchfield Penney Art Center Timothy Noble’s The Semi-Automatic Chalkboard, a robotically controlled drawing machine, offers a timely consideration of artistic labor. Using open-source software and servo motors to run coded motions, the chalkboard etches out reproductions of sketches created by Charles E.
“Come Together: Surviving Sandy”
New York Industry City “Come Together: Surviving Sandy,” in addition to astute two-dimensional invention by the likes of Gary Stephan, Robert Storr, James Siena, and Suzanne Joelson, brimmed with witty sculpture. The raw artscape of mismatched styles made for a funky jungle gym of form, texture, sets, and friends.
Claudia Aranovich
Buenos Aires Eduardo Sívori Museum I once defined Claudia Aranovich’s work as a battlefield that consists of materials, message, artist, and spectator, and this description remains relevant. Her recent retrospective at the Eduardo Sívori Museum in Buenos Aires gathered more than 20 large-format sculptures, relief boxes, and luminous objects, as well as a video installation—a
Celene Hawkins
Cincinnati Taft Museum of Art A sculptor, turned loose in a gallery filled with paintings, looks at—the frames. Or so it seemed in Celene Hawkins’s thought-provoking exhibition “Landscape Re-framed: Sculptures” in which she recorded her responses to the Taft Museum’s fine collection of primarily European works from the 18th and 19th centuries.
