Portland, Oregon Each step through the Portland Art Museum’s…see the full review in May’s magazine.
Archive
Rebecca Kamen
McLean, Virginia Death is a nexus of events that…see the full review in May’s magazine.
Rob Fischer
New York In his latest exhibition, Rob Fischer uses…see the full review in May’s magazine.
Santiago Calatrava
New York Santiago Calatrava has said that even…see the full review in May’s magazine.
Thomas Hirschhorn
Boston Utopia, Utopia = One World, One War…see the full review in May’s magazine.
Mike Peter Smith
Chicago “The secret source of humor itself”…see the full review in May’s magazine.
Fabrice Gygi
Newport Beach, California Working in artistic territories largely abandoned by artists…see the full review in May’s magazine.
Jene Highstein: Rooms, Columns, Impossible Buildings
Making sculpture can be a simple and pragmatic matter, an attractive way of delivering a piece of defined space to a viewer using all the ingredients of the classic spatial package—media of a certain color, texture, and dimension.
Jun Kaneko: Scale and Topography
Imagine looking northwest, through the polarized glass expanse of the entryway of the Phillip Johnson-designed Art Museum of South Texas into the gray light of a winter morning in early 1985. There, at the end of a 10,000-square-foot sidewalk separating the entrance stairs of the museum from the park road, three huge, weighty objects, adorned
