Chained to an icy crag by Zeus and tormented by an eagle, Prometheus had one weapon, a secret: he knew who would bear the son fated to dethrone the father of the gods. Secrets, the myth tells us, give power to their bearers, however vulnerable they might seem.
Archive
Revolutionizing History: A Conversation with Olivia Robinson, Josh MacPhee, and Dara Greenwald
Artists Olivia Robinson, Josh MacPhee, and Dara Greenwald make the invisible visible, from daily routines to entire cultural moments. Passing through the streets of Troy, New York, the trio felt a mounting sense of dismay at the changing cityscape and the loss of visible history.
Maria Artemis: Mining Materials
The best ideas often come when you least expect them. For a year, Maria Artemis worked on her show for the Museum of Contemporary Art of Georgia. Armed with a Working Artists Program award from the Charles Loridans Foundation, which provided her with financial support and a paid studio assistant for one year, the Atlanta-based
Willard Boepple: Disembodiment and Sensuality
The sculptures of Willard Boepple are a riposte to Plato. At the very least, they engage in a game of cat and mouse with the Platonic concept of archetypes. Created in series, Boepple’s forms are utilitarian, commonplace, timeless things like ladders, shelves, rooms, railings, sawhorses, and benches.
Art and Nature: Spain’s Landscape Art Initiative in Huesca
Located in the foothills of the Pyrenees Mountains, Huesca is one of the most beautiful and least populated provinces in Spain. Half of its territory consists of mountainous natural parks that protect an array of endangered species, and many of its valleys are guarded by Romanesque-style churches.
The Art of Activism: A Conversation with Barbara Hashimoto
Barbara Hashimoto’s recent work resides at the intersection of sculpture, consumer culture, and environmental concerns. She collects and shreds junk mail to build large-scale naturalistic forms that ironically resemble the earth itself. Transitory and site-specific, these pieces expose the excessive use, and even abuse, of natural resources that enables the seemingly limitless supply of printed
Nicholas Hlobo: Where is Your Navel?
According to South African critic Amy Halliday, contemporary art from the African continent is “often either excluded from, or uncomfortably assimilated into, an overarching Western narrative.” Nicholas Hlobo, a young South African sculptor, mined this narrative for his 2008 installation at Boston’s Institute of Contemporary Art, where his work was featured as part of the
Gregorio Botta
Rome La Fondazione Volume!, established by Francesco Nucci in 1997 with…see the full review in July/August’s magazine.
Gareth Moore
Berlin The art world is full of wanderers, outsiders, and eccentrics…see the full review in July/August’s magazine.
John Greer
Montreal John Greer’s sculptures raise interesting questions about appearance and reality…see the full review in July/August’s magazine.
