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April 2003

April 2003

Dispatch: Victoria, British Columbia

April 1, 2003 by Matthew Kangas

Five artists currently living in…see the full review in April’s magazine.

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Rebecca Horn

April 1, 2003 by Jan Garden Castro

New York, NY At Sean Kelly Gallery, Rebecca Horn…see the full review in April’s magazine.

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Form That Achieves Sympathy: A Conversation with Elizabeth Catlett

April 1, 2003 by Michael Brenson

Elizabeth Catlett was awarded the Lifetime Achievement Award from the International Sculpture Center in 2003. For a full list of Lifetime Achievement Award recipients, click here. Citalelli, 1999. Bronze, 43.5 x 14.5 x 14.5 in.

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Phyllida Barlow

April 1, 2003 by sculpturemag

London, U.K. Phyllida Barlow’s new work is hard…see the full review in April’s magazine.

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Open Veins: A Conversation with Nora Correas

April 1, 2003 by Pablo Baler

Correas captures the poignant, sometimes shameful experience of being human….see the full review in April’s magazine

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Takenobu Igarashi

April 1, 2003 by Collette Chattopadhyay

Los Angeles, CA The Los Angeles-based sculptor…see the full review in April’s magazine.

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Focus: Joan Livingstone

April 1, 2003 by Victor Cassidy

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Nina Levy

April 1, 2003 by Robert C. Morgan

New York, NY Nina Levy’s previous figurative…see the full review in April’s magazine.

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Lessons in Anatomy: Magdalena Abakanowicz’s Unrecognized

April 1, 2003 by Karolina Hubner

Her largest installation is an image of nature operating through multiplicity, the group….see the full review in April’s magazine

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The Relationship Between Thought and Matter: A Conversation with Antony Gormley

April 1, 2003 by Ina Cole

Critical Mass, 1995. Cast iron, life-size figures. View of installation. Antony Gormley is one of Britain’s most important contemporary sculptors, and installations of his work have taken place all over the world. In the 1980s, he pioneered the concept of casting the body in a variety of poses to evoke universal ideas relating to the

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