Madeline Hollander

NEW YORK Bortolami Rather than trading on Deleuzian idioms and hackneyed “rhizomatic” platitudes—which, even if applicable, merely describe the ubiquity of synthetic processes, having little to do with sculpture’s necessary domain of optical perception—Hollander’s work homes in on the relations of linked relata.

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Corrupted Perfection: A Conversation with Eva Rothschild

Eva Rothschild, who will represent Ireland at the 2019 Venice Biennale, expands on the Modernist sculptural tradition, using a range of materials including jesmonite, wood, Perspex, steel, aluminum, polystyrene, fabric, leather, and beads. Her work often examines how objects acquire meaning peripheral to their material reality through the different beliefs, ideologies, and religions imposed on

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Unknown Extremes: A Conversation with Tania Kovats

Tania Kovats’s work encompasses sculpture, installation, and large-scale, time-based projects that investigate the layered aspects of landscape—that which lies beneath and beyond what is perceived with the naked eye. These unknown spaces— shifting tides, weathered rock faces, wood grain, and even the uncharted territories of outer space—are mysteries to be unraveled.

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