New York
Peter Buggenhout’s recent show, “Caterpillar Logic II,” acknowledged the process that transforms a homely creature into a delicate, beautiful butterfly. An equally striking, if not conventionally beautiful transition occurs in these works—two very large sculptures that, in their complexity, weight, and size, border on installation. Much good art is now done in the interstices between mediums, and Buggenhout’s considerable talent has enabled him to construct large-scale pieces that command space to the point where they verge on the environmental.…see the entire review in the print version of October’s Sculpture magazine.
