Recipient of the 2023 Innovator Award Ogwado Joachim, who lives and works in Uganda’s capital city of Kampala, has built a vibrant and community-spirited body of work in public spaces, using single-use plastics as his material of choice.
Expanded Collage: A Conversation with Laura Aldridge
Laura Aldridge builds colorful, multisensory environments infused with an atmosphere of freedom and play, and ripe with potential. In her work, textiles, ceramics, glass, and found objects come together to invite myriad interpretations and emotional responses.
The Domestic Grotesque: A Conversation with Kate Stone
Brooklyn-based Kate Stone constructs familiar, yet uncanny environments on the threshold between interior and exterior, the real and the supernatural, architecture and the body.
60th Venice Biennale
VENICE Various locations An overwhelming number of exhibiting artists have never previously participated in a Biennale, making the show a journey of discovery for visitors. It’s also the first Biennale exhibition with more dead than living artists.
Solid Memories: A Conversation with Dominique White
In “Deadweight” (currently on view at London’s Whitechapel Gallery), Dominique White uses fugitive materials to imagine an abstract future.
Shilpa Gupta
NEW YORK Tanya Bonakdar Gallery Shilpa Gupta’s recent exhibition of minimal, poetic interventions took on time, space, means of communication, and memory in ways that linger in the heart and mind.
Seeing the Real Thing: A Conversation with Peter Buggenhout
Peter Buggenhout sees all the “rubble” of our spoiled world as salvageable, remaking glass, plastic, stone, steel, and dust into the flesh and bones of unearthly sculptures born of defunct and abandoned stuff long dissolved into uselessness.
Nairy Baghramian
ZURICH Hauser & Wirth Vulnerability defines these sculptures, and Baghramian forces the viewer to look into details and juggle anomalies of shape and composition for their significance.
Where Things Intertwine: A Conversation with Shilpa Gupta
Shilpa Gupta explains art as a means of shifting and reshaping reality, manipulating it to excavate and introduce new, very different perspectives that encourage us to rethink the patterns and possibilities shaping our lives. The visual, in her hands, becomes an antidote, an intellectual attack even, on the inertia of acceptance and complacency.
Object Lessons: Yto Barrada
It all started with the holes in the wall. The courtyard walls at MoMA PS1 are cement, with small, structural holes for the wind to come through. And you can peek through them.
