Adel Abidin

Helsinki Ateneum Art Museum “History Wipes,” a survey of Adel Abidin’s recent sculpture and video, confronted unpalatable events with works that ranged from the elegiac to the distressing. Set within the stately confines of the Ateneum Art Museum, which is dedicated to historical Finnish art, the show juxtaposed the century-old Finnish Civil War with much

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Toshiaki Noda

San Francisco Patricia Sweetow Gallery Toshiaki Noda’s clay sculptures present themselves as decorative yet functional works melded back into, or partially emerged from, their organic state. Smashed cans and vessels, egg cartons, and flattened stubs ooze and bubble, as they fold and collapse into themselves.

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Ranjani Shettar

New York Metropolitan Museum of Art Though Ranjani Shettar, who turned 40 last year, is a mid-career artist (at least by Western standards), her work remains youthfully lyrical, and close to nature in ways that evade her closest American counterpart Sarah Sze, whose work is busier and more mechanical.

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Rebecca Belmore

LandMarks 2017 The journey to Rebecca Belmore’s Wave Sound in Banff National Park in Alberta required considerable effort. Located on a promontory called Centre Point on the shores of Lake Minnewanka, a cerulean blue glacial lake flanked by tall subalpine mountains, the work was more than two hours from the nearest city.

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Dineo Seshee Bopape

Rotterdam Witte de With Center for Contemporary Art Lerole: footnotes (The struggle of memory against forgetting), a recent large-scale installation by South African artist Dineo Seshee Bopape, combined visceral materiality with historical accounts of pre-colonial revolts across the African continent to voice centuries of resistance against European invasion.

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