Laura Dalton has had a love affair with paper for decades. A meticulous, obsessive, and patient artist, she constantly seeks new ways to rework her material, which ranges from maps, sheet music, photographs, and book pages to traditional bark paper and ordinary white sheets.
Erin Shirreff
NEW YORK Sikkema Jenkins & Co. Without passing judgment on the restless images that have proliferated around us, Shirreff examines and mobilizes what she calls the “space of not-knowing”—the missing information inherent in any photograph.
Carl D’Alvia
NEW YORK Hesse Flatow D’Alvia’s abstract sculptures, while giving the impression of being completely contemporary, fuse popular culture and a formalism that originated generations ago, when high culture often entered public awareness through a rebellious appreciation of form.
Nastassia Kotava
DETROIT Spaysky Fine Art Gallery Mail art and monumental sculpture typically inhabit very different positions within the universe of art, power, and politics. In The Head (Yakub Kolas For Detroit), Paris-based, Belarusian artist Nastassia Kotava delivers a provocative mash-up of the two forms.
“In Search of the Miraculous”
NEW YORK The FLAG Art Foundation While Rider offers an antidote of sorts to our collective trauma—we could all use a little magic—the title acquires an extra dash of poignancy in its homage to the conceptual artist Bas Jan Ader and his final project of the same name: the solo crossing of the Atlantic in a tiny pocket vessel, from which he never returned.
Inside Materiality: A Conversation with Florence Peake
Born and raised in London, Florence Peake is a sculptor, performance artist, and dancer whose work has been shaped by music, film, and poetry, as well as a keen interest in esoteric and shamanic practices.
Beverly Buchanan
NEW YORK Andrew Edlin Gallery “Shacks and Legends, 1985–2011,” a recent mini-retrospective that also included works on paper and photographs, made a strong case for entering Buchanan (1940–2015) into the contemporary canon.
Strange Devices, by Joshua Reiman
In Strange Devices, Joshua Reiman—frequent Sculpture contributor and chair of the sculpture program at the Maine College of Art and Design—considers the definition and nature of sculpture.
Shapes From Illusions: A Conversation with Jean-Michel Othoniel
For Jean-Michel Othoniel, glass has “opened up…a realm of endless possibilities,” allowing him to create transformative works on the edge of unreality.
Things of the Spirit: A Conversation with Helaine Blumenfeld
Helaine Blumenfeld, an American sculptor who moved to the U.K. in the 1960s, has spent most of her decades-long career avoiding the media spotlight. More interested in pursuing a personal vision than in chasing success, she has focused on creating sculptures that explore her subconscious and the human spirit.
