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Feature

Richard Tuttle: No Way You Can Frame It

March 1, 1998 by Kathleen Whitney

replace the abstract picture plane II, 1997. Cast and welded aluminum, marble, 168 in. high. Guido Baselgia / Collection Kunsthaus Zug All of Richard Tuttle’s work originates in the form of theoretical questions. Is it possible to have an object that is an abstraction yet that can also stand in for some concrete object or

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Feature

A Geography of Home: Alan Finkel’s Public Art

March 1, 1998 by Arlene Raven

Wind Mirage (at Soryo-cho dam house), 1996. Mixed media. In the end I have come to recognize only one supreme art, the art of becoming human: The art of expressing and intensifying one’s own conscious humanity by appropriate acts, fantasies, thoughts, and works.

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Feature

Points of Departure: Public Art’s Intentions, Indignities, and Interventions

March 1, 1998 by Patricia C. Phillips

Patricia C. Phillips takes a close look at today’s public art and asks the hard questions. Mel Chin/The GALA Committee, “Bar Graph” (from a set for Melrose Place), 1997. Museum of Contemporary Art, Los Angeles/Lyle Ashton Harris.

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Review

Susan Hornbeak-Ortiz

March 1, 1998 by Collette Chattopadhyay

Santa Monica Sherry Frumkin Gallery Filled with binary oppositions and tensions, 15 new works by the young Los Angeles sculptor Susan Hornbeak-Ortlz transformed the vernacular of industrial objects into visual metaphors… see the print version for the full review.

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Review

Kcho

February 1, 1998 by Collette Chattopadhyay

Los Angeles Regen Projects and The Museum of Contemporary Art There is a haunting yet resolute quality to Kcho’s sculptures and installations… see the print version for the full review.

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Review

Jim Campbell

February 1, 1998 by Donna Schumacher

Pasadena Art Center College of Design The magnified image of a clock reaches to the edges of the 50-inch screen… see the print version for the full review.

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Review

Magdalena Campos-Pons

February 1, 1998 by Ann Wilson Lloyd

Boston Mario Diacono Gallery Boston-based Campos-Pons artist Magdalena is of Afro-Cuban heritage… see the print version for the full review.

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Review

Joseph Beuys

February 1, 1998 by Claudia Mesch

Minneapolis Walker Art Gallery Walker Art Center The Walker Art Center’s “Joseph Beuys Multiples” exhibition is the extensive effort… see the print version for the full review.

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Review

Cai Guo-Qiang

February 1, 1998 by Rebecca Dimling Cochran

New York Queens Museum of Art The work of Cai Guo-Qiang has been exhibited throughout Europe and Asia… see the print version for the full review.

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Review

Michelle Stuart

February 1, 1998 by Michael Klein

New York John Weber Gallery The newest of Michelle Stuart’s works are the most elegant… see the print version for the full review.

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  • David Altmejd: The Serpent

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