Oriundo de La Plata, Bs.As, el artista audiovisual Santiago Colombo Migliorero, se deja guiar hacia una exploración sensible que se apoya fuertemente en el concepto de la temporalidad como rectora y organizadora, estudiando al tiempo como un material cuasi plástico que lo condiciona todo.
Sami Tsang
NEW YORK Claire Oliver The best stories balance the personal with some sort of universal experience. In the case of sci-fi and fairytales, the mundane mixes with the fantastical, allowing protagonists to achieve their transformative or transcendent moment.
Unfolding Into the World: A Conversation with Tory Fair
The practice of Boston-based Tory Fair consists of a captivating blend of body and ecology. In her recent work, which involves casting live sunflowers, she is not bound by fidelity to natural forms; instead, she allows material and process to imprint on making.
Proportional Relationships: A Conversation with Franka Hörnschemeyer
German artist Franka Hörnschemeyer works with architecture and space, using arrangements of objects made with ordinary building materials to examine history and social structures. By casting the familiar in a new light, her installations, objects, and site-specific interventions open a range of temporal and spatial associations.
Pedro Gómez-Egaña
CAMBRIDGE, MASSACHUSETTS MIT List Visual Arts Center Virgo (2022), the central and most provocative work in “The Great Learning,” pays homage to Gordon Matta-Clark’s building cuts, but with a difference. Where Matta-Clark sought to reveal untapped potential, Gómez-Egaña instead explores our moment of too much potential.
Matter and Spirit: A Conversation with Luana Vitra
Materials matter to Luana Vitra. She uses iron, copper, wood, feathers, and clay—materials embedded in the history, culture, and geology of her home region of Minas Gerais in Brazil—to explore our connections to the earth, how we are at one with its offerings and how we exploit them.
Katie Hudnall
PHILADELPHIA Museum for Art in Wood“Delight” might seem too twee a word for contemporary art parlance, but it certainly fits Katie Hudnall’s current exhibition. “The Longest Distance Between Two Points” features 16 sculptures made of salvaged wood, string, springs, and brass hardware, as well as four large drawings and a suite of eight smaller drawings, that all manifest a dark yet playful and whimsical aura.
Not Written in Stone
Somewhere between then and now and now and next, “Beyond Granite: Pulling Together” (2023) briefly transformed the National Mall in Washington, DC, boldly asking what an expanded vision of democracy might be.
Jardines distópicos: Una Conversación con María Ibáñez Lago
Con una vida que se desarrolla entre las calles parisinas y Buenos Aires, María Ibáñez Lago, artista plástica y escenógrafa, se formó en Escenografía y Pintura en la Ecole Nationale Supérieure des Arts Décoratifs, París, en el taller de Zao-Woo-ki y en Argentina tomó clínicas con Diana Aisenberg.
Rebecca Warren
NEW YORK Matthew Marks Gallery Installed on tilted plinths and dollies, each of Warren’s figures seems poised as if in mid-movement. Heavily worked surfaces trace the energy and marks of the artist’s hand while also capturing light and sustaining the sensation of fluid, mutable form.
