Washington, D.C. Baumgartner Galleries, lnc. For this sculpture and installation exhibition, Baumgartner Galleries and critic Chris Gilbert focused on three relative newcomers… see the print version for the full review.
Los Angeles California African-American Museum Betye Saars new works, rendered in pitch-perfect color harmonies that recall the quiet splendor of a Death Valley sunset… see the print version for the full review.
Don’t Forget Mururoa, 1997. Slate, sand, rope, lemon extract, and sound, 300 x 300 x 1300 cm. Maria Dompé studied at the Roman Academy of Art under the supervision of renowned sculptors Pericle Fazzini and Emilio Greco.
Robert Stackhouse was trained as a painter during the heyday of Abstract Expressionism. Although his time as an Abstract Expressionist painter lasted only a few years, he has retained that movement’s faith in the emotive and communicative power of the image.
A temporary installation by Suzanne Lacy, Full Circle (from “Culture in Action”), 1993. Boulders and bronze. John McWilliams Chicago’s public art demonstrates the diversity and the difficulties inherent in public art in the 1990s. The tourist version of Chicago has at its core the towering steel untitled female head by Pablo Picasso, a huge abstracted