New York Metropolitan Museum of Art l like the idea of sculpture going up into the sky,” reveals Ellsworth Kelly as he takes stock of his large-scale sculptures in the exhibition “Ellsworth Kelly on the Roof,” at the Metropolitan Museum of Art… for the full review see the print edition of March 1999’s Sculpture magazine.
Inigio Manglano-Ovalle
Winston-Salem, NC Southeastern Center for Contemporary Art (SECCA) Walking into lnigio Manglano Ovalle’s recent show at SECCA… for the full review see the print version of March 1999’s Sculpture magazine.
Alberto Giacometti
Montreal
Barbara Kruger
Southampton, NY The Parrish Art Museum Barbara Kruger’s installation on the facade of The Parrish Art Museum beckoned the viewer to walk along and stand among her signature graphics in one of her most affectionate and sculptural works to date.
Michael Quane
Dublin, Ireland Temple Bar Gallery Vitrine art was dismissed by Modernism, its finger-facility regarded as a dangerous chocolate-box covering, atop a vacuum. Talent and adroitness were there in shovel-fulls but the great shiver of “art,” the fine discriminations of emotion (as opposed to bombast and rhetoric) were absent… See the full review in the print
Janet Cardiff
Miami Miami Art Museum Installation art has often included a textual element, though often written (and therefore two-dimensional) rather than spoken… See the print version of Jan/Feb’s issue for the full review.
Ned Baldwin
Seattle Project 416 Furniture as subject matter in contemporary sculpture has a brief… for the full review see the print edition of January/February’s version of Sculpture magazine.
