St. Louis St. Louis Art Museum The target of Charles Long s wacky sense of humor is American art and its postmodern reincarnations… see the print edition of May 1999’s Sculpture magazine for the full review.
Quisqueya Henriquez and Delanie Jenkins
Pittsburgh Mattress Factory Four new installations that will remain at the Mattress Factory’s main building through July establish a provocative dialogue with one another through use of the body as either the starting point for, or as an important component within, each installation… for the full review see the print edition of May 1999’s Sculpture
Mia Westerlund Roosen
New York Lennon, Weinberg Mia Westerlund Roosen has long been a subtle maverick in the art world. Her work never fails to challenge the prevailing aesthetic but does so quietly and with extraordinary elegance… see the print edition of May 1999’s Sculpture magazine for the full review.
Paul Bowen
Boston Howard Yezerski Gallery, New England School of Art & Design, and Chestnut Hill Mall Paul Bowen began his career as a painter of the Beuysian school of gritty, unconventional materials and process-induced results… see the print edition of May 1999’s Sculpture magazine for the full review.
Lucy Gunning
New York Green Naftali London-based Lucy Gunning’s works employ video to investigate sculptural issues (such as spatial extension and temporal contingency) with installation structures thematically oriented to questions of language… for the full review see the print edition of May 1999’s Sculpture magazine.
Jason Rhoades and Paul McCarthy
New York David Zwirner One-time pioneering bad boys Jason Rhoades and Paul McCarthy have teamed to form a production company… for the full review see the print edition of May 1999’s Sculpture magazine.
Holly Zausner
New York Caren Golden The body has always been Holly Zausner’s tool. ln her exhibitions of the last few years, this midcareer sculptor created an effigy of herself, a mutable logo, a meditative, comic, elongated Gumby figure… for the full review see the print edition of May 1999’s Sculpture magazine.
