Berlin Deutsche Guggenheim Traps to catch the eye-we all fall for them. Berlin’s 18-month-old Deutsche Guggenheim, centrally situated… for the full review see the print edition of October 1999’s Sculpture magazine.
“Floored: Floor Based Sculpture Installation”
Cleveland SPACES The floor sculptures and installations at SPACES ranged from studio dust particles stenciled into carpet patterns, to corseted… for the full review see the print edition of October 1999’s Sculpture magazine.
Ramiz Barquet and Rogelio Diaz
Puerto Vallarta, Mexico
Cyberarts Festival
Boston
Kenneth Snelson: The Lyricism of Structure
Kenneth Snelson was awarded the Lifetime Achievement Award from the International Sculpture Center in 1999. For a full list of Lifetime Achievement Award recipients, click here. View of Kenneth Snelson’s studio, 1981 The sculpture of Kenneth Snelson holds a place at the core of one of the principal concerns of 20th-century visual art.
Memorial for Anonymous: An Interview with Christine Borland
English Family China (detail), 1998. Bone china, 5 groups consisting of 2 to 5 pieces, dimensions variable. A prominent member of the group of artists frequently described as “Young British Artists” (YBAs), Scottish-born Christine Borland lives and works in Glasgow.
The National Gallery of Art Sculpture Garden
(Foreground) Lucas Samaras, Chair Transformation Number 20B, 1996, patinated bronze and brass; (background) Sol LeWitt, Four-Sided Pyramid. More than 30 years in the making, the National Gallery Sculpture Garden opened on May 23. From the outside, it looks like a picturesque garden restrained by a Neoclassical girdle.
Made for Each Other: Storm King’s Vistas and Sculpture
Mark di Suvero, Pyramidian, 1987–98. Steel, 65 ft. high. Pyramidium, the massive, 65-foot sculpture, begins to take on its final shape, towering over a valley at Storm King Art Center in Mountainville, New York. Mark di Suvero and his trusted two-man crew have just attached a second horizontal I-beam to a central inner circle so
“Where a Soul’s at Ease” Gardens, Museums, and the Urban Fabric: An Interview with Martin Friedman
Aerial view of the Walker Art Center and the Minneapolis Sculpture Garden. During Martin Friedman’s 32-year association with Minneapolis’s Walker Art Center (30 as its director), he transformed what began as a regional arts institution into a major national and international cultural resource.
