Mirages (Delta de Métis), 2002. Granite, 5 boulders, 15 ft. high. Site-specific work at the juncture of the Mitis and St. Lawrence Rivers. Physically imprinted on the land surfaces of five continents over the past 30 years, Bill Vazan’s land art projects originated in the conceptual and Minimalist art tendencies of the 1960s.
Assaulting the Surface: A Conversation with Sarah Lovitt
Stairway, 2002. Wax suspended by filament, 32 x 10 X 8 in. each. Photo: Courtesy Mitchell-Innes & Nash, New York. Georges Bataille described eroticism as “life ascending to the point of death.” Sarah Lovitt traces that ascent, crafting embodiments of physical distress redeemed through spiritual hope.
“Big Head: Ceramic Sculpture on a Heroic Scale”
San Antonio Michael Lucero and the late Robert…see the full review in November’s magazine.
Gwangju Biennial
Gwangju, Korea Biennials have become labs in which…see the full review in November’s magazine.
Barnett Newman
Philadelphia This retrospective of Barnett…see the full review in November’s magazine.
Rachel Whiteread
New York I didn’t see the Berlin installation…see the full review in November’s magazine.
Marjetica Potrč and Monica Bonvicini
New York Combining sculpture and architecture in…see the full review in November’s magazine.
Vincent Peraro
New York Vincent Peraro’s sculpted forms are…see the full review in November’s magazine.
Lee Littlefield
Springfield, MO Lee Littlefield brings art to the…see the full review in November’s magazine.
Curtis Arima
Royal Oak, MI This second solo exhibition by the…see the full review in November’s magazine.
